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Sebastian Moń – In the Dreamery

104$997$

Collector’s print (giclée) signed and numbered by the artist.

✓ Museum quality of reproduction
Limited edition:
• S-100 pcs. (frame size: 40×50 cm)
• M
-50 pcs. (frame size: 50×60 cm)
• L
-25 pcs. (frame size: 60×80 cm)
Archival paper (100% cotton)
✓ Certificate of Authenticity

Shipping: 2-3 days

  • *SELECT SIZE AND VARIANT

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    Kolekcjonerska i certyfikowana inkografia (giclée) sygnowana własnoręcznie przez artystę.

    LIMITOWANA EDYCJA: 
    Rozmiar S:
    100 egzemplarzy

    UNIKATOWE NUMERY | BIAŁE KRUKI: 
    • 1/100  • 50/100  • 100/100

    FORMAT:
    Obszar pokrycia pigmentem: 27 x 36,5 cm
    Rozmiar całej pracy: 33 x 42,5 cm
    Rozmiar passe-partout: 40 x 50 cm
    Światło passe-partout: 30 x 39,5 cm
    Rozmiar ramy: 40 x 50 cm

    SPECYFIKACJA REPRODUKCJI:
    Ploter: Epson Stylus PRO 9890
    Pigmenty:
    Epson UltraChrome HDR
    Papier: William Turner 190g

    CZAS DOSTAWY:
    2-3 dni robocze

    Kolekcjonerska i certyfikowana inkografia (giclée) sygnowana własnoręcznie przez artystę.

    LIMITOWANA EDYCJA: 
    Rozmiar M:
    50 egzemplarzy

    UNIKATOWE NUMERY | BIAŁE KRUKI: 
    • 1/50  • 25/50  • 50/50

    FORMAT:
    Obszar pokrycia pigmentem: 37 x 50 cm
    Rozmiar całej pracy: 43 x 56 cm
    Rozmiar passe-partout: 50 x 70 cm
    Światło passe-partout: 40 x 53 cm
    Rozmiar ramy: 50 x 70 cm

    SPECYFIKACJA REPRODUKCJI:
    Ploter: Epson Stylus PRO 9890
    Pigmenty:
    Epson UltraChrome HDR
    Papier: William Turner 190g

    CZAS DOSTAWY:
    2-3 dni robocze

    Kolekcjonerska i certyfikowana inkografia (giclée) sygnowana własnoręcznie przez artystę.

    LIMITOWANA EDYCJA: 
    Rozmiar L:
    25 egzemplarzy

    UNIKATOWE NUMERY | BIAŁE KRUKI: 
    • 1/25  • 25/25

    FORMAT:
    Obszar pokrycia pigmentem: 47 x 63,5 cm
    Rozmiar całej pracy: 54 x 70,5 cm
    Rozmiar passe-partout: 60 x 80 cm
    Światło passe-partout: 50 x 66,5 cm
    Rozmiar ramy: 60 x 80 cm

    SPECYFIKACJA REPRODUKCJI:
    Ploter: Epson Stylus PRO 9890
    Pigmenty:
    Epson UltraChrome HDR
    Papier: William Turner 190g

    CZAS DOSTAWY:
    2-3 dni robocze

    Sturdy handmade frame made of solid wood:

    • Painted in white or black with a matte finish
    • Modern design that fits any home and style
    • Milled, from certified and responsibly sourced wood
    • Minimalist simple profile with a width of 20 mm and height of 34 mm
    • Transparent acrylic glass (pvc) with a thickness of 1 mm
    • Collector's print mounted without glue on acid-free cardboard
    • Thick, sturdy mat in a warm white shade with a thickness of 2 mm
    * 
    * 
    * 

    Additional options

    Adjustable self-adhesive nail tesa®

    • Fast, safe, and very simple installation
    • No drilling or tools required
    • Removal without leaving traces
    • Adjustable height
    • Supports up to 4 kg

Description

Original artwork:

Author: Sebastian Moń
Title: “In the Dreamery”
Creation date: 2022r.
Technique: acrylic on board
Image size: 60 x 80 cm

Artist:

Sebastian Moń is an artist who expresses a unique style in his works, described as ‘melancholic industrialism,’ reflecting his deeply personal approach to art. Inspired by concrete blocks, steel structures, and historic factories, he creates paintings that transport the raw, industrial reality into a realm of surreal, melancholic visions that provoke deep reflection. In his acrylic painting, Sebastian combines inspirations from music, dreams, and personal experiences, creating works that are gaining recognition on the contemporary art scene. His works, characterized by depth and expressiveness, become a bridge between reality and the world of dreams.

We encourage you to explore the full profile of Sebastian Moń to discover his fascinating artistic journey, view the gallery of works, and read an exclusive interview available on the Artist’s website.

Limited and collector’s edition Fine Art Prints:

Fine Art Prints works are published in limited, numbered series. Each print holds a Certificate of Authenticity and author’s handwritten signature. Our prints are always created under the supervision of the artist, who certifies authenticity of each work. Our prints are always created under the supervision of the artist, who certifies authenticity of each work.

 

 

Museum quality:

Our prints are produced with the highest quality Epson UltraChrome HDR pigments and specially selected cotton papers meeting the highest museum standards. The combination of quality and the latest printing technology guarantee excellent archival properties, fidelity of detail reproduction and excellent structure of printouts. You can read more about the quality of the prints in the Mission tab.

 

 

Binding and assembly

We all know that feeling when newly bought artwork comes in and we need to frame it and hang on the wall by ourselves. This is why, you can order a white or black frame, so the print is immediately ready to be hanged, and white passe-partout increases its collector’s value.

We also made sure hanging our giclée prints will be a smooth process. Without the need for screws and drilling holes in the wall. Tesa® self-adhesive nails are one of the additional options you can get with your print. They allow for quick assembly and any change of position without leaving traces.

 

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